{"id":88,"date":"2017-06-20T15:17:11","date_gmt":"2017-06-20T12:17:11","guid":{"rendered":"http:\/\/web3demo.webproposal.gr\/?page_id=88"},"modified":"2017-08-12T14:58:04","modified_gmt":"2017-08-12T11:58:04","slug":"repertory","status":"publish","type":"page","link":"https:\/\/www.theodora-iordanidou.com\/el\/repertory\/","title":{"rendered":"\u03a1\u0395\u03a0\u0395\u03a1\u03a4\u039f\u03a1\u0399\u039f"},"content":{"rendered":"
<\/span>\u03a3\u03cc\u03bb\u03bf \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf<\/div>
\nG. F. Telemann (1681-1767), 12 Fantasien f\u00fcr Fl\u00f6te ohne Bass<\/em>, TWV. 40: 2-13 (1733)
\nJ. S. Bach (1685-1750), Partita in a-Moll<\/em>, BWV. 1013 (1722-23)
\nC. P. E. Bach (1714-1788), Solosonate in a-Moll<\/em>, H. 562 (1747)
\nN. Paganini (1782-1840), Caprice Nr<\/em>. 1, 24 (1802-1817)
\nC. Debussy (1862-1918), Syrinx, L. 129<\/em>, (1913)<\/span><\/p>\n\n\n\n\n
S. Karg \u2013 Elert (1877-1933),<\/td>\n Appassionata Sonata in fis-Moll<\/em>, op. 140<\/td>\n<\/tr>\n
 <\/td>\nCaprice Nr. 30, Chaconne, op. 107 (1918\/19)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

J. Ibert (1890-1962), Pi\u00e8ce pour seule<\/em> flute (1936)
\nA. Honneger (1892-1955), Danse de la Chevre<\/em>, H. 39 (1921)
\nP. Hintemith (1895-1963), Acht St\u00fccke<\/em> f\u00fcr Fl\u00f6te allein (1927)
\nE. Varese (1883-1965), Density 21.5<\/em> (1936\/1946)
\nL. Berio (1925-2003), Sequenza I<\/em> (1958)
\nT. Takemitsu (1930-1996), Voice<\/em> (1971)<\/span><\/p>\n

B. Ferneyhough (1943),<\/span> Cassandra\u2019s Dream Song<\/em> (1970-1971)<\/span><\/p>\n\n\n\n\n
R. Dick (1950),<\/td>\n Flying lessons<\/em> (1984)<\/td>\n<\/tr>\n
 <\/td>\n Look out<\/em> (1989)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

M. K\u03b1\u03bd\u03ac\u03c2 (1952),<\/span> <\/span>4 \u03a3\u03c4\u03c1\u03bf\u03c6\u03ad\u03c2 <\/em>(1984)<\/span><\/p>\n\n\n\n\n
I. Clarke (1964),<\/td>\n The Great Train Race<\/em><\/td>\n<\/tr>\n
 <\/td>\n Zoom Tube<\/em> (1999)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

M. Borboudakis (1974),<\/span> Aeolian Elegy<\/em> (2006-2007)<\/span><\/p>\n<\/div><\/div>\n

<\/span>\u03a6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf \u03ba\u03b1\u03b9 \u03bf\u03c1\u03c7\u03ae\u03c3\u03c4\u03c1\u03b1<\/div>
\n\n\n\n\n\n\n
A.Vivaldi (1678-1741),<\/td>\n La tempesta di mare<\/em>, RV. 433; op. 10 n. 1 (1729)<\/td>\n<\/tr>\n
 <\/td>\n La Notte<\/em>, RV. 439; op. 10 n. 2 (1729)<\/td>\n<\/tr>\n
 <\/td>\n Il Gardellino<\/em>, RV. 428; op. 10 n. 3 (1729)<\/td>\n<\/tr>\n
 <\/td>\n Flautinokonzert in C-Dur<\/em>, RV 443 (1728-29)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

J.S. Bach (1685-1750), Suite in h-Moll,<\/em> BWV. 1023 (1738-39)<\/span><\/p>\n\n\n\n\n
C.P.E. Bach (1714-1788),<\/td>\n Fl\u00f6tenkonzert in G-Dur<\/em>, H. 445, Wq 169 (1755)<\/td>\n<\/tr>\n
 <\/td>\n Fl\u00f6tenkonzert in D-Moll<\/em>, H. 484.1, Wq 22 (1780)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

J. Haydn (1732-1809), Konzert in D-Dur, Hob<\/em>. VIIf; D1 (1780)<\/span><\/p>\n\n\n\n\n\n\n\n
W. A. Mozart (1756-1791),<\/td>\n Konzert f\u00fcr Fl\u00f6te und Harfe in C-Dur<\/em>, KV. 299 (1778)<\/td>\n<\/tr>\n
 <\/td>\n Fl\u00f6tenkonzert in G-Dur<\/em>, KV. 313\/285c (1777-1778)<\/td>\n<\/tr>\n
 <\/td>\n Fl\u00f6tenkonzert in D-Dur<\/em>,KV. 314\/285d (1778)<\/td>\n<\/tr>\n
 <\/td>\n Andante in C-Dur<\/em>, KV.315\/285e (1778)<\/td>\n<\/tr>\n
 <\/td>\n Rondo in D-Dur<\/em>, KV.382 (1782)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n\n
C. Reinecke (1824-1910),<\/td>\n Fl\u00f6tenkonzert in D-Dur<\/em>, op. 283 (1908)<\/td>\n<\/tr>\n
 <\/td>\n Ballade<\/em>, op.288 (1911)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

J. P. G\u00e9nin (1832-1903), Fantaisie sur la Traviata<\/em>
\nF. Borne (1840-1920), Fantaisie brillante sur \u2018Carmen\u2019<\/em>
\nC. Chaminade (1857-1944), Concertino op. 107<\/em> (1902)
\nC. Nielsen (1865-1931), Flute Concerto<\/em>, CNW 42 (1926)
\nJ. Ibert (1890-1962), Flute Concerto<\/em> (1934)<\/span>
\nF. Martin (1890-1974), Ballade<\/em> (1939\/1941)
\nA. Jolivet (1905-1974), Concerto pour flute et orchestre a cordes<\/em> (1949)
\nK. Penderecki (1933), Flute Concerto for flute and chamber orchestra<\/em> (1992)
\nM. Zdralek (1973), Zwei Lieder ohne Worter f\u00fcr Fl\u00f6te<\/em>, Bassfl\u00f6te und Orchestra (2007\/2014) <\/span><\/p>\n<\/div><\/div>\n

<\/span>\u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03b4\u03c9\u03bc\u03b1\u03c4\u03af\u03bf\u03c5<\/div>
\n

J. S. Bach (1685-1750), \u03a3\u03bf\u03bd\u03ac\u03c4\u03b5\u03c2 \u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf \u03ba\u03b1\u03b9 basso continuo <\/em><\/p>\n

H-Moll<\/em> (BWV 1030) (1736-1737)<\/p>\n

Es-Dur<\/em> (BWV 1031) (1730-1734;)<\/p>\n

A-Dur<\/em> (BWV 1032) (1736;)<\/p>\n

C-Dur (BWV 1033) (1736)<\/p>\n

E-Moll<\/em> (BWV 1034) (1724)<\/p>\n

E-Dur<\/em> (BWV 1035) (1741)<\/p>\n

J. Haydn (1732-1809), <\/span>London Trios<\/em> \u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf, \u03b2\u03b9\u03bf\u03bb\u03af \u03ba\u03b1\u03b9 \u03c4\u03c3\u03ad\u03bb\u03bf (1794)<\/span><\/p>\n

                                          Trio in D-Dur<\/em> \u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf, \u03c4\u03c3\u03ad\u03bb\u03bf \u03ba\u03b1\u03b9 \u03c0\u03b9\u03ac\u03bd\u03bf Hob. XV:16 (1790)<\/span><\/p>\n

                                 Trio in G-Dur<\/em> \u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf, \u03c4\u03c3\u03ad\u03bb\u03bf \u03ba\u03b1\u03b9 \u03c0\u03b9\u03ac\u03bd\u03bf Hob. XV:15 (1790)<\/span><\/p>\n

C. M. von Weber (1786-1826), Trio in G-Moll<\/em>, op. 64 \u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf, \u03c4\u03c3\u03ad\u03bb\u03bf \u03ba\u03b1\u03b9 \u03c0\u03b9\u03ac\u03bd\u03bf (1818-1819)<\/span><\/p>\n

W. A. Mozart (1756-1791), <\/span>\u039a\u03bf\u03c5\u03b1\u03c1\u03c4\u03ad\u03c4\u03b1 <\/em>\u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf, \u03b2\u03b9\u03bf\u03bb\u03af, \u03b2\u03b9\u03cc\u03bb\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03c3\u03ad\u03bb\u03bf (KV. 285, 285a, 285a, 298) (1777-1786)
\nJ. N. Hummel (1778-1837), Adagio, Variations and Rondo on a Russian Theme<\/em>, op. 78 \u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf, \u03c4\u03c3\u03ad\u03bb\u03bf \u03ba\u03b1\u03b9 \u03c0\u03b9\u03ac\u03bd\u03bf (1818)<\/span><\/p>\n

F. Schubert (1797-1828), Variationen \u00fcber Trockne<\/em> Blumen, <\/em>D. 802 (1824)<\/span><\/p>\n

                                      Arpeggione Sonate<\/em>, D. 821 (1824)<\/span><\/p>\n

C. Reinecke (1824-1910), \u03a3\u03bf\u03bd\u03ac\u03c4\u03b1 Undine<\/em>, op. 167 (1882)<\/span><\/p>\n

J. Clinton (1810-1864), \u03a3\u03bf\u03bd\u03ac\u03c4\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03c1\u03af\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03b1 \u03c3\u03b5 \u03a3\u03bf\u03bb \u03bc\u03b5\u03af\u03b6\u03bf\u03bd\u03b1<\/i><\/span><\/p>\n

P. Taffanel (1844-1908), \u03a6\u03b1\u03bd\u03c4\u03b1\u03c3\u03af\u03b1 <\/em>\u03b2\u03b1\u03c3\u03b9\u03c3\u03bc\u03ad\u03bd\u03b7 \u03c3\u03c4\u03bf\u03bd \u201c\u0395\u03bb\u03b5\u03cd\u03b8\u03b5\u03c1\u03bf \u03a3\u03ba\u03bf\u03c0\u03b5\u03c5\u03c4\u03ae\u201d \u03c4\u03bf\u03c5 C. M. von Weber<\/span><\/p>\n

T. B\u00f6hm, Grande Polonaise, \u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf \u03ba\u03b1\u03b9 \u03c0\u03b9\u03ac\u03bd\u03bf<\/span><\/p>\n

C. M. Widor (1844-1937), \u03a3\u03bf\u03c5\u03af\u03c4\u03b1 <\/em>\u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf \u03ba\u03b1\u03b9 \u03c0\u03b9\u03ac\u03bd\u03bf, op. 34 (1877)<\/span><\/p>\n

G. Faure (1845-1924), \u03a6\u03b1\u03bd\u03c4\u03b1\u03c3\u03af\u03b1,<\/em> op.79 (1898)<\/span><\/p>\n

C. Debussy (1862-1918), \u03a3\u03bf\u03bd\u03ac\u03c4\u03b1 \u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf, \u03b2\u03b9\u03cc\u03bb\u03b1 \u03ba\u03b1\u03b9 \u03ac\u03c1\u03c0\u03b1<\/em> (1915)<\/span><\/p>\n

J. Mouquet (1867-1946), \u03a4\u03bf \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf \u03c4\u03bf\u03c5 \u03a0\u03ac\u03bd\u03b1<\/i>, \u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf \u03ba\u03b1\u03b9 \u03c0\u03b9\u03ac\u03bd\u03bf, op. 15 (1904)<\/span><\/p>\n

G. Enescu (1881-1955), Cantabile et Presto<\/em> (1904)<\/span><\/p>\n

F. Martin, (1890-1974), Ballade<\/em> (1939\/1941)<\/span><\/p>\n

S. Prokofiev, (1891-1953), \u03a3\u03bf\u03bd\u03ac\u03c4\u03b1 \u03c3\u03b5 \u03a1\u03b5 \u03bc\u03b5\u03af\u03b6\u03bf\u03bd\u03b1<\/em>, op. 94 (1943)<\/span><\/p>\n

D. Milhaud (1892-1974), \u03a3\u03bf\u03bd\u03b1\u03c4\u03af\u03bd\u03b1<\/em>, op. 76 (1922)<\/span><\/p>\n

P. Hindemith (1895-1963), \u03a3\u03bf\u03bd\u03ac\u03c4\u03b1 \u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf \u03ba\u03b1\u03b9 \u03c0\u03b9\u03ac\u03bd\u03bf <\/em>(1936)<\/span><\/p>\n

F. Poulenc (1899-1963), \u03a3\u03bf\u03bd\u03ac\u03c4\u03b1 <\/em>(1956\/1957)<\/span><\/p>\n

A. Jolivet (1905-1974), Chant de Linos <\/em>(1944)<\/span><\/p>\n

H. Dutilleux (1916-2013), \u03a3\u03bf\u03bd\u03b1\u03c4\u03af\u03bd\u03b1 <\/em>\u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf \u03ba\u03b1\u03b9 \u03c0\u03b9\u03ac\u03bd\u03bf (1943)<\/span><\/p>\n

E. Karkoschka (1923-2009), Im Dreieck<\/em>, \u03b3\u03b9\u03b1 \u03c4\u03c1\u03b5\u03b9\u03c2 \u03c6\u03bb\u03b1\u03bf\u03c5\u03c4\u03af\u03c3\u03c4\u03b5\u03c2 (1975)<\/span><\/p>\n

M. \u039a\u03b1\u03bd\u03ac\u03c2 (1952), \u03a3\u03bf\u03bd\u03ac\u03c4\u03b1 \u03b3\u03b9\u03b1 \u03c6\u03bb\u03ac\u03bf\u03c5\u03c4\u03bf \u03ba\u03b1\u03b9 \u03c0\u03b9\u03ac\u03bd\u03bf<\/em><\/span>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":154,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-gallery.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-88","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.theodora-iordanidou.com\/el\/wp-json\/wp\/v2\/pages\/88","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theodora-iordanidou.com\/el\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.theodora-iordanidou.com\/el\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.theodora-iordanidou.com\/el\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theodora-iordanidou.com\/el\/wp-json\/wp\/v2\/comments?post=88"}],"version-history":[{"count":104,"href":"https:\/\/www.theodora-iordanidou.com\/el\/wp-json\/wp\/v2\/pages\/88\/revisions"}],"predecessor-version":[{"id":507,"href":"https:\/\/www.theodora-iordanidou.com\/el\/wp-json\/wp\/v2\/pages\/88\/revisions\/507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theodora-iordanidou.com\/el\/wp-json\/wp\/v2\/media\/154"}],"wp:attachment":[{"href":"https:\/\/www.theodora-iordanidou.com\/el\/wp-json\/wp\/v2\/media?parent=88"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}