{"id":88,"date":"2017-06-20T15:17:11","date_gmt":"2017-06-20T12:17:11","guid":{"rendered":"http:\/\/web3demo.webproposal.gr\/?page_id=88"},"modified":"2017-08-12T14:58:04","modified_gmt":"2017-08-12T11:58:04","slug":"repertory","status":"publish","type":"page","link":"https:\/\/www.theodora-iordanidou.com\/en\/repertory\/","title":{"rendered":"Repertory"},"content":{"rendered":"<div class=\"su-spoiler su-spoiler-style-default su-spoiler-icon-plus-square-2 my-custom-spoiler su-spoiler-closed\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>Solo Flute<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\"><\/div><\/div>\n<span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">G.F. Telemann (1681-1767), <em>12 Fantasien f\u00fcr Fl\u00f6te ohne Bass<\/em>, TWV. 40: 2-13 (1733)<br \/>\nJ. S. Bach (1685-1750), <em>Partita in a-Moll<\/em>, BWV. 1013 (1722-23)<br \/>\nC. P.E. Bach (1714-1788), <em>Solosonate in a-Moll,<\/em> H. 562 (1747)<br \/>\nN. Paganini (1782-1840), <em>Caprice Nr. 1<\/em>, 24 (1802-1817)<br \/>\nC. Debussy (1862-1918), <em>Syrinx,<\/em> L. 129, (1913)<\/span><\/p>\n<table>\n<tbody>\n<tr>\n<td>S. Karg \u2013 Elert (1877-1933),<\/td>\n<td>&nbsp;<em>Appassionata Sonata in fis-Moll,<\/em> op. 140<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<em>Caprice Nr. 30, Chaconne,<\/em> op. 107 (1918\/19)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">J. Ibert (1890-1962), <em>Pi\u00e8ce pour seule<\/em> flute (1936)<br \/>\nA. Honneger (1892-1955), <em>Danse de la Chevre,<\/em> H. 39 (1921)<br \/>\nP. Hintemith (1895-1963), <em>Acht St\u00fccke<\/em> f\u00fcr Fl\u00f6te allein (1927)<br \/>\nE. Varese (1883-1965), <em>Density 21.5<\/em> (1936\/1946)<br \/>\nL. Berio (1925-2003), <em>Sequenza I<\/em> (1958)<br \/>\nT. Takemitsu (1930-1996), <em>Voice<\/em> (1971)<\/span><\/p>\n<table>\n<tbody>\n<tr>\n<td>I. Clarke (1964),<\/td>\n<td>&nbsp;<em>The Great Train Race<\/em><\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<em>Zoom Tube<\/em> (1999)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">B. Ferneyhough (1943), <em>Cassandra\u2019s Dream Song<\/em> (1970-1971)<br \/>\nM. Kanas (1957), <em>4 Strophes<\/em> (1984)<br \/>\nM. Borboudakis (1974), <em>Aeolian Elegy<\/em> (2006-2007)<\/span><\/p>\n<table>\n<tbody>\n<tr>\n<td>R. Dick (1950),<\/td>\n<td>&nbsp;<em>Flying lessons<\/em> (1984)<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<em>Look out<\/em> (1989)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div><\/div>\n<div class=\"su-spoiler su-spoiler-style-default su-spoiler-icon-plus-square-2 my-custom-spoiler su-spoiler-closed\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>Flute and Orchestra<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\">\n<table>\n<tbody>\n<tr>\n<td>A.Vivaldi (1678-1741),<\/td>\n<td>&nbsp;<em>La tempesta di mare<\/em>, RV. 433; op. 10 n. 1 (1729)<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<em>La Notte,<\/em> RV. 439; op. 10 n. 2 (1729)<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<em>Il Gardellino<\/em>, RV. 428; op. 10 n. 3 (1729)<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<em>Flautinokonzert in C-Dur,<\/em> RV 443 (1728-29)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">J.S. Bach (1685-1750), <em>Suite in h-Moll,<\/em> BWV. 1023 (1738-39)<\/span><\/p>\n<table>\n<tbody>\n<tr>\n<td>C.P.E. Bach (1714-1788),<\/td>\n<td>&nbsp;<em>Fl\u00f6tenkonzert in G-Dur,<\/em> H. 445, Wq 169 (1755)<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<em>Fl\u00f6tenkonzert in D-Moll,<\/em> H. 484.1, Wq 22 (1780)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">J. Haydn (1732-1809), <em>Konzert in D-Dur,<\/em> Hob. VIIf; D1 (1780)<\/span><\/p>\n<table>\n<tbody>\n<tr>\n<td>W. A. Mozart (1756-1791),<\/td>\n<td>&nbsp;<em>Konzert f\u00fcr Fl\u00f6te und Harfe<\/em> in C-Dur, KV. 299 (1778)<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<em>Fl\u00f6tenkonzert<\/em> in G-Dur, KV. 313\/285c (1777-1778)<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<em>Fl\u00f6tenkonzert<\/em> in D-Dur,KV. 314\/285d (1778)<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<em>Andante<\/em> in C-Dur, KV.315\/285e (1778)<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<em>Rondo<\/em> in D-Dur, KV.382 (1782)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td>C. Reinecke (1824-1910),<\/td>\n<td>&nbsp;<em>Fl\u00f6tenkonzert<\/em> in D-Dur, op. 283 (1908)<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>&nbsp;<em>Ballade,<\/em> op.288 (1911)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-family: verdana, geneva, sans-serif; font-size: 12pt;\">J. P. G\u00e9nin (1832-1903), <em>Fantaisie sur la Traviata<\/em><br \/>\nF. Borne (1840-1920), <em>Fantaisie brillante sur \u2018Carmen\u2019<\/em><br \/>\nC. Chaminade (1857-1944), <em>Concertino<\/em> op. 107 (1902)<br \/>\nC. Nielsen (1865-1931), <em>Flute Concerto<\/em>, CNW 42 (1926)<br \/>\nJ. Ibert (1890-1962), <em>Flute Concerto<\/em> (1934)<br \/>\nF. Martin (1890-1974), <em>Ballade<\/em> (1939\/1941)<br \/>\nA. Jolivet (1905-1974), <em>Concerto pour flute et orchestre a cordes<\/em> (1949)<br \/>\nK. Penderecki (1933), <em>Flute Concerto for flute and chamber orchestra<\/em> (1992)<br \/>\nM. Zdralek (1973), <em>Zwei Lieder ohne Worter<\/em> f\u00fcr Fl\u00f6te, Bassfl\u00f6te und Orchestra<\/span><\/div><\/div>\n<div class=\"su-spoiler su-spoiler-style-default su-spoiler-icon-plus-square-2 my-custom-spoiler su-spoiler-closed\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>Chamber Music<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\">\n<p>J. S. Bach (1685-1750), <em>Sonatas for flute and basso continuo <\/em><\/p>\n<p><em>H-Moll<\/em> (BWV 1030) (1736-1737)<\/p>\n<p><em>Es-Dur<\/em> (BWV 1031) (1730-1734;)<\/p>\n<p><em>A-Dur<\/em> (BWV 1032) (1736;)<\/p>\n<p>C-Dur (BWV 1033) (1736)<\/p>\n<p><em>E-Moll<\/em> (BWV 1034) (1724)<\/p>\n<p><em>E-Dur<\/em> (BWV 1035) (1741)<\/p>\n<p>J. Haydn (1732-1809),&nbsp;<em>London Trios<\/em>&nbsp;for flute, violin and cello (1794)<\/p>\n<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <em>&nbsp;Trio in D-Dur<\/em> for flute, cello and piano Hob. XV:16 (1790)<\/p>\n<p><em>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Trio in G-Dur<\/em> for flute, cello and piano Hob. XV:15 (1790)<\/p>\n<p>C. M. von Weber (1786-1826),&nbsp;<em>Trio in G-Moll<\/em>, op. 64 for flute, cello and piano (1818-1819)<\/p>\n<p>W. A. Mozart (1756-1791),&nbsp;<em>Quartetts for flute, violin, viola and cello&nbsp;<\/em>(KV. 285, 285a, 285a, 298) (1777-1786)<\/p>\n<p>J. N. Hummel (1778-1837), <em>Adagio, Variations and Rondo on a Russian Theme<\/em>, op. 78 for flute, cello and piano (1818)<\/p>\n<p>F. Schubert (1797-1828),&nbsp;<em>Variationen \u00fcber Trockne<\/em>&nbsp;Blumen,<em>&nbsp;<\/em>D. 802 (1824)<\/p>\n<p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;<em>Arpeggione Sonate<\/em>,&nbsp;D. 821 (1824)<\/p>\n<p>C. Reinecke (1824-1910), Sonata&nbsp;<em>Undine<\/em>, op. 167 (1882)<\/p>\n<p>J. Clinton (1810-1864), <em>Sonata&nbsp;<\/em><i>for three flutes in G-Dur<\/i><\/p>\n<p>P. Taffanel (1844-1908), <i>Fantasy based on Freisch\u00fctz<\/i>&nbsp;by C. M. von Weber<\/p>\n<p>T. B\u00f6hm, <em>Grande Polonaise<\/em>&nbsp;for flute and piano<\/p>\n<p>C. M. Widor (1844-1937), <em>Suite&nbsp;<\/em>for flute and piano, op. 34 (1877)<\/p>\n<p>G. Faure (1845-1924), <em>Fantasia,<\/em> op.79 (1898)<\/p>\n<p>C. Debussy (1862-1918), Sonata<em> for flute, viola and harp<\/em>&nbsp;(1915)<\/p>\n<p>J. Mouquet (1867-1946), <em>La Flute de Pan<\/em>&nbsp;for flute and piano, op. 15 (1904)<\/p>\n<p>G. Enescu (1881-1955), <em>Cantabile et Presto<\/em> (1904)<\/p>\n<p>F. Martin, (1890-1974), <em>Ballade<\/em> (1939\/1941)<\/p>\n<p>S. Prokofiev, (1891-1953), Sonata<em>&nbsp;in D-Dur<\/em>, op. 94 (1943)<\/p>\n<p>D. Milhaud (1892-1974), <em>Sonatina<\/em>, op. 76 (1922)<\/p>\n<p>P. Hindemith (1895-1963), <em>Sonata&nbsp;<\/em>for flute and piano (1936)<\/p>\n<p>F. Poulenc (1899-1963), <em>Sonata&nbsp;<\/em>for flute and piano (1956\/1957)<\/p>\n<p>A. Jolivet (1905-1974), <em>Chant de Linos <\/em>(1944)<\/p>\n<p>H. Dutilleux (1916-2013), <em>Sonatina&nbsp;<\/em>for flute and piano&nbsp;(1943)<\/p>\n<p>E. Karkoschka (1923-2009), <em>Im Dreieck<\/em>, for three flutists (1975)<\/p>\n<p>M. Kanas (1952), <em>Sonata<\/em> for flute and piano<br \/>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Sorry, this entry is only available in \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac.<\/p>\n","protected":false},"author":1,"featured_media":154,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-gallery.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-88","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.theodora-iordanidou.com\/en\/wp-json\/wp\/v2\/pages\/88","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theodora-iordanidou.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.theodora-iordanidou.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.theodora-iordanidou.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theodora-iordanidou.com\/en\/wp-json\/wp\/v2\/comments?post=88"}],"version-history":[{"count":104,"href":"https:\/\/www.theodora-iordanidou.com\/en\/wp-json\/wp\/v2\/pages\/88\/revisions"}],"predecessor-version":[{"id":507,"href":"https:\/\/www.theodora-iordanidou.com\/en\/wp-json\/wp\/v2\/pages\/88\/revisions\/507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theodora-iordanidou.com\/en\/wp-json\/wp\/v2\/media\/154"}],"wp:attachment":[{"href":"https:\/\/www.theodora-iordanidou.com\/en\/wp-json\/wp\/v2\/media?parent=88"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}